Perfect Blue (1997) – Dissociative identity, surveillance, media mirrors.
		Stalker (1979) – Long, slow descent into the unknown. Pure terminal-core pilgrimage.
	Tetsuo: The Iron Man (1989) – Man fuses with machine in industrial hell.
	Pulse (2001)* – Loneliness haunts digital spaces. Ghosts in the bandwidth.
	Videodrome (1983) – Flesh and signal merge.
	Pi (1998) – Obsession, mathematics, divine code.
	Avalon (2001) – Ghosts trapped in a VR battlefield, scored by haunting Polish strings.
	The Machinist (2004) – Terminal insomnia and data-haunted solitude.
	After Life (1998) – What memory would you choose to stay in forever?